Bibliographie Steve McCaffery a) Buchveröffentlichungen THE BLACK DEBT. London, Ontario/Canada: Nightwood Editions 1989 Broken Mandala. Toronto: Ganglia Press 1974 (= grOnk IS2), 100 Ex. CARNIFAL. the first panel: 1967 - 70. o. 0. (Toronto, Can.): The Coach House Press 1973 CARNIVAL. the second panel: 1970-75. Toronto: Coach House Press o. J., 750 Ex. Every Way Oakly. Edmonton: Stephen Scobie 1978 Dr. Sadhu's Muffins. A Book of Written Readings. Erin, Ontario: Press Porcepic 1974 ground plans for a speaking city. o. 0.: anonbeyond press assembly, june 1970 (special hand edition not more than 100 copies) H : A HISTORY. Toronto: SERIPRESS 1974, 100 Ex., signiert MOON. A POST-SEMIOTIC SEQUENCE. Toronto: SERIPRESS 1974, 100 Ex., signiert North of Intention. Critical Writings 1973-1986. New York: Roof Books. Toronto: Nightwood Editions 1986 OW'S WAIF and other poems. Toronto: Coach House Press 1975, 500 Ex. [568] Panopticum. Toronto: Blewointmentpress 1984 The Scenarios (Umschlagtitel). o. 0. o. J. (The League of Canadian Poets) /gefaltetes Blatt/ Vocabulary for Marjeceta Cujes; ("To speak this need..."); Vocabulary for Salvatore Incardona. o. 0. (Toronto): Underwhich Editions, January 1979, 300 Ex. mit bp Nichol: IN ENGLAND NOW THAT SPRING polaroid poems, found texts, visions & collaborations records of a journey thru Scotland & England May 1978. TORONTO, AYA PRESS, 1979. Reprinted in January 1984 b) Herausgeber mit bp Nichol (eds.): The Story So Four. Toronto: The Coach House Press 1976 mit bp Nichol (eds.): SOUND POETRY. A CATALOGUE for the Eleventh International Sound Poetry Festival, Toronto, Canada, October 14 to 21, 1978. Toronto: Underwhich Editions 1978, 1500 Ex. The Politics of the Referent, in: Open Letter. Toronto 1977, Third series, No. 7, Summer, S. 60-107 c) Zeitschriftenbeiträge And who remembers Bobby Sands, in: POETICS JOURNAL. Berkeley, Ca. 1985, No. 5, May, S. 65-68 Breaking Surface /zu: Brian Fawcett, Permanent Relationships. Toronto: Coach House Press 1975/, in: Open Letter. Toronto 1976, Third series, No. 4, Spring, S. 88-95 Counter Memory (book review of Michael Palmer's "Without Music". Santa Barbara: Black Sparrow 1977), in: Open Letter. Toronto 1978, Third Series, No. 9, Fall, S. 153-157 The Death of the Subject: The Implications of Counter-Communication in Recent Language-Centered Writing, in: Open Letter. Toronto 1977, Third Series, No. 7, Summer, S. 61-77 Early Stein /zu: Gertrude Stein, Fernhurst, Q.E.D., and other early writings. New York 1971/, in: Open Letter. Toronto 1973, Second series, No. 6, Fall, S. 125-128 The Elsewhere of Meaning (1986) /Über Claude Gauvreau's "Jappements à la Lune", 1970/, in: ders.: North of Intention. New York, Toronto 1986, S. 170ff. The Fall, in: David Young (ed.): The Story So Far 3. Toronto: The Coach House Press 1974, S. 133 for a poetry of blood, in: Stereo Headphones. Kersey, near Ipswich 1971, No. 4, spring, o. Pag. Lyric's Larynx (1978), in: ders.: North of Intention. New York, Toronto 1986, S. 178-184 Nothing is Forgotten but the Talk of How to Talk: an Interview by Andrew Payne (1984), in: ders.: North of Intention. New York, Toronto 1986, S. 111-130 [569] Peras: Extracts from a Page, in: Open Letter. Toronto, Can. 1985, Sixth series, No. 1, Spring, S. 47-61 The Perseus Project: Paleogorgonization and The Sexual Life of Fossils, in: Michael Dean (ed.): Papers delivered at the Symposium of Linguistic OntoGenetics held in Toronto, Canada, November 20, 21, 1981 ... Toronto 1985 (= grOnk Final Series # 5), S. 67-78 The Property: Comma, in: Steve MacCaffery & bpNichol (eds.): The Story So Four. Toronto: The Coach House Press 1976, S. 171-179 REPOSSESSING THE WORD (excerpt from an "Intraview" by Steve McCaffery in the January 1978 issue of 'Centerfold'), in: L=A=N=G=U=A=G=E. New York 1978, Vol. 1, No. 2, April, o. Pag. SOUND POETRY (Auszug aus McCafferys Essay in "Sound Poetry. A Catalogue", ed. by Steve McCaffery & bp Nichol, Toronto 1978), in: L=A=N=G=U=A=G=E. New York 1979, No. 7, March, S. 1-4 Sound Poetry. Essay, in: Bruce Andrews, Charles Bernstein (eds.): The L=A=N= G=U=A=G=E Book. Carbondale, IL: Southern Illinois University Press 1984 Strata and Strategy: Pataphysics in the Poetry of Christopher Dewdney, in: Open Letter. Toronto 1976, Third series, No. 4, Spring, S. 45-56 Tenderizing Buttons /über Gertrude Stein/, in: Open Letter. Toronto 1973, Second series, No 6, Fall, S. 93-103 The Unreadable Text, in: Michael Palmer (ed.): Code of Signals. Berkeley: North Atlantic Books 1983, S. 220ff. mit Charles Bernstein, Ray DiPalma: Fantasy on a Hymn Tune, in: LEGEND. Bruce Andrews, Charles Bernstein, Ray DiPalma, Steve McCaffery, Ron Silliman. New York: L=A=N=G=U=A=G=E, Segue Foundation 1980, S. 161-185 zusammen mit Charles Bernstein und Christian Bök: abs TruCt heh GarBagt. Special CD insert [booklet text], in: Cabinet. A quarterly magazine of art and culture. New York 2000, Nr. 1, Winter 2000, S. 71 d) Sekundärliteratur Bernstein, Charles: Panoptical Artifice, in: Open Letter. Toronto 1987, Sixth Series, No. 9, Fall, "Steve McCaffery", S. 9-15 Coffey, Michael: Grammatology & Economy, in: Open Letter. Toronto 1987, Sixth Series, No. 9, Fall, "Steve McCaffery", S. 27-38 Dutton, Paul: The Sonic Graffitist: Steve McCaffery as Improvisor, in: Open Letter. Toronto 1987, Sixth Series, No. 9, Fall, "Steve McCaffery", S. 17-25 Nichol, bp: The Annotated, Anecdoted, Beginnings of a Critical Checklist of the Published Works of Steve McCaffery, in: Open Letter. Toronto 1987, Sixth Series, No. 9, Fall, "Steve McCaffery", S. 67-92 Sherry, James: POSTSCRIPT. The Politics of the Referent, in: L=A=N=G=U=A=G=E. New York 1978, Vol. 1, No. 3, June, o. Pag. [570] Für Quereinsteiger: Zur Hauptseite von Urs Engeler Editor