Bibliographie

Bob Cobbing




a) Buchveröffentlichungen

A B C in Sound. London: writers forum (March) 1986, Neuausgabe (Siehe auch: Sound Poems (An ABC in Sound). London: Writers Forum 1965)

abcdefghijklmnopqrstuvwxyz, a sound poetry sequence. (London 1965), 2. Auflage 1965, 3. Auflage 1967, (writers forum poets 7)

Beethoven Today. Hitchin 1971 (100 Exx u. 40 sign. Ex.)

bill jubobe, selected texts of bob cobbing 1942-1975, selected by bob cobbing & sean ohuigin. Toronto: The Coach House Press 1976, 750 Ex.

bob jubile, selected texts of bob cobbing 1944-1990, selected by bob cobbing & jennifer pike. London: New River Project 1990

Bob Cobbing Inventing what he finds. London: Writers Forum o. J.

BOB COB S RAG BAG MARK ONE /lose DIN A4 Blätter in Plastikumschlag/. London: WRITERS FORUM 1977

chamber music. stuttgart: hansjörg mayer 1967 (futura - folded sheet 19)

CIRCA 73-74. o. 0. (London), o. J. (wahrscheinlich 1974, Writers Forum)

Computer Graphics: Card No. 1. London: writers forum (December) 1986 (single A4 card)

Computer Poems. London: WRITERS FORUM 1987

Concrete and Sound poems. London: New River Project o. J.

DA-DA-D00! o. 0. /London:/ WRITERS FORUM. o. J.

EARTH BEST / TU TO RATU. o. 0. (London): writers forum o. J. (ca 1976)

E colony. o. 0. (London), o. J. (1973), Writers Forum (fold out)

The Elemental Dance (for Stereo Headphones 6, January 1974). /Verfielfältigtes Blatt, wahrscheinlich London 1974/

/4 Einzelblätter ohne Titel, auf gelben und grünen Karton gedruckt/. o. 0., o. J. (London: Writers Forum, ca 1976)

ETCETERA, a new collection of found and sound poems. Cardiff: VERTIGO PUBLICATIONS 1970

&c. London, 3. Auflage 1971. Cardiff: Vertigo Publications 1970

Extra Verse Nr. 17. London 1966

Eyearum. London 1966, 2. Auflage 1967 (writers forum folders 1), /Einzelblätter/

15 Shakespeare-kaku. London (1972), third edition, writers forum

FINGRAMS /Umschlagtitel/. London: WRITERS FORUM o. J.

five visual poems. London: writers forum 1971. writers forum folder number nine, november 1971

five visual poems. London: Writers Forum second edition, july 1972, writers forum folder number nine [479]

the five vowels. London: Writers Forum 1974 (folder)

FOUND & SOUND (revised edtn). 12pp poetry/vispo 1994

FOUND & SOUND (Take Two). London: Writers Forum May 1994

Four Letter. o. 0. (London:) WRITERS FORUM o. J.

gig. London: Writers Forum new year's eve 1997

Ginetics (Umschlagtitel). (London) Writers Forum o. J.

glossolali un hallali. langage tangage. london: writers forum 30th july 1997

grin (Umschlagtitel). London: Writers Forum, January 1979

In Any Language. London: Writers Forum 1973 (triptych card)

in just intonation. london: Writers Forum September 1997

"In Line". o. 0. (London:) Writers Forum o.J. (folded card)

jade-sound poems. o. 0. (London: wf (Writers Forum) o. J. (ca. 1976)

jade-sound poems. o. 0. (London:) WRITERS FORUM SECOND (BUT ORIGINAL) EDITION, OCTOBER 1984

The Judith Poem (triptych card). London: Writers Forum 1971

the judith poem (for judith walker). o. 0. (London), 1972, 2. Auflage (triptych card)

konkrete canticle. London: Covent Garden Press 1971, Nr. 38, signiert

Kris Kringles Kesmes Korals or Twelve Days (of Xmas). London: Writers Forum 1970

Kurrirrurriri. London: Writers Forum 1968

Kurrirrurriri. London: Writers Forum, second edition, october 1969, writers forum quartos number four

Kwatz. Gillingham, Kent: Arc Publ. 1970 (folder)

(soma) light song. London: writers forum o. J. (ca. 1981)

LIGHTSONG TWO. o. 0. (London:) writers forum o. J. signiert

marvomoviesnatter. o. 0. o. J. (single card, signed)

Metamorphosis for bpNichol. London: writers forum 1986 (cards)

A Movie Book, o. O. (London): Covent Garden Press 1971

NUMBER STRUCTURES /Umschlagtitel/. STOCKHOLM: WRITERS FORUM 1977 (booklet)

octo. london: writers forum 1969, writers forum folder number five, february 1969

Octo (Visual Poems). London: Writers Forum 1969

Octo (Visual Poems). London: Writers Forum, second edition: august 1970, writers forum folder number five

On Impulse. Poems by Bob Cobbing. London: Writers Forum 1993

or/ro or/ro or/ro. o. 0. (London: Writers Forum) 1970. 55 Ex., Ex. Nr. 16, signiert am 10.11.1970

PATTERN OF PERFORMANCE. London: Writers Forum 1979

picturesheet one. London: good elf publications o. J. (ca. 1974)

Pitchbend. London: Writers Forum July 30th 1994

PITCHBLEND. 12pp B5 vispo 1994

POEM INTO LANDSCAPE. Five Performance Poems. London: Writers Forum, August 1975, Writers Forum Folders No. 17

Poemsequence. London o. J. [480]

POEMS FOR THE Northwest Territories. London: Writers Forum 1976, September 1976

Poetry into Music. London: writers forum (November) 1986

Point of Departure. London: writers forum (December) 1986 (landscape), 50 Ex.

Portrayed. London: Wacy! 1986

Principles of Movement. London: Writers Forum o. J.

Processual (two): After a Fashion. London: Writers Forum 1983, August 1983

PROCESSUAL 3. o. 0. (London.) WF (= Writers Forum) o. J.

PROCESSUAL FOUR: LONDON: WRITERS FORUM 1983, CHRISTMAS DAY 1983

PROCESSUAL QUINTET. For Marvin Sackner. (London:) Writers Forum 1984, February 1984

The Processual Nonny-Nonny. London: writers forum (30th July) 1985

Processual Spin-off. o. 0. (London:) Writers Forum o. J.

Processual Spin-Off Two. London: writers forum (30th July) 1985 (cards in envelope)

A Processual Summation. London: writers forum (Dec.) 1985 (landscape)

A Processual Supplement. London: writers forum (Dec.) 1986 (cards in envelope)

PRO / SEX / UAL, for KATALIN LADIK. (London:) writers forum 1984, maggio 1984. /6 signierte DIN-A-4-Karten/

a ROUND DANCE /Lautgedicht/. STOCKHOLM: WRITERS FORUM, AUGUST 1976 (little booklet)

the sacred mushroom (London:) writers forum o. J.

sensations of the retina (Umschlagtitel). o. 0. (wahrscheinlich Toronto) 1978, (= Gronk intermediate series, No. 15)

Six Computer scores. London: writers forum (December) 1987 (6 A4 cards in envelope)

six sound poems. London: writers forum 1968, writers forum folder number four, september 1968, signiertes Exemplar

Six Sound Poems. London: Writers Forum 1972, 4. Auflage, writers forum folder number four, july 1972

So (Six Sound Poems). London 1968, 2. Auflage 1969, 3. Auflage 1970, 4. Auflage 1974 (writers forum folders 4)

Songsignals (folder), o. O.: Second Aeon 1972

songsignals. Cardiff: Second Aeon Publications o. J.

Sonic Icons. London: Writers Forum 1970 (writers forum quartos number nine)

(sonic). London 1970 (writers forum quartos 9) [481]

SOUND OF JADE for Clive Fencott. London: WRITERS FORUM o. J.

Sound Poems (An ABC in Sound). London: Writers Forum 1965

Spearhead. London: Writers Forum 1971

spearhead, a series of poems. London: Writers Forum, third edition, march 1973

Spontaneous Appealinair Contemprate Apollinaire. o. 0. o. J. (single card, signiert)

Statue of Liberty Suite, Other Branch Readings: 1. o. 0.: Printed by Bath Place, Community Arts Press, 15th September 1980

Stracci One, Two, Three. London: WRITERS FORUM 1987

Swarf Process U.A.L. London: writers forum (November) 1985 (sheets, landscape)

Three Poems for Voice & Movement. London 1971, 2. Auflage 1971 (writers forum fours 1)

TITLE: OF THE WORK. o. 0. (London) o. J.

TOKYOKYOTO. London: Good elf Publications 1975, October 1975, 12 Ex.

trigram 1-2-3. London: Writers Forum 1972 (booklet)

Tryotych (Are Your Children). London: Writers Forum 1970

Triptych Two: Undum Eidola /gefaltetes Blatt in Plastikumschlag/. London: Writers Forum o. J.

TU TO RATU alto nimbu very little cul earth best. o. 0. (London:) writers forum o. J.

Twelve. London: writers forum (December) 1987

26 Sound Poems. o. 0. (London: writers forum) 1965

Two leaf book. o. 0. (London:) Writers Forum o. J. signiert

Two Rows of Tomatoes. Kettering o. J. (Poster)

Typestract 1. o. 0., o. J. (London 1965), second edition, signiert

Typestract 2. o. 0., o. J. (London 1969), signiert

Undum Eidola. London: Writers Forum October 1997

Variations on a Theme. London: writers forum (December) 1986 (cards in envelope)

vispo for eric. london: writers forum november 1997

visual poems. With: Towards the city. Fragments I-VII by Jeremy Adler. London 1977

VOICE PRINT (booklet, 8,7x6,5 cm). o. 0., o. J. (London 1979)

voicings. london: writers forum, december 1980

WAN / ABC / DO / TREE. Collected Poems, Voume Two. London: EL UEL UEL U Publications, April 1978

Wan do tree grin. London: writers forum (April) 1987

Wan/Grin. London: writers forum (May) 1986 [482]

Whisper Piece. London: writers forum 1969 (writers forum folders 6) /Einzelblätter/

Whississippi a Whisper Piece. London: Writers Forum 1969 (writers forum pamphlets 2)

WHY SHIVA HAS TEN ARMS. London: writers forum 1969, folder number seven, august 1969

WHY SHIVA HAS TEN ARMS. London: Writers Forum, second edition, july 1972, writers forum folder number seven

windwound, b(u)y(e), poppcopping, bobbcobbind wf, reading 1977 /Umschlagtitel/. o. 0. (London): (Writers Forum) o. J.

A WINTER POEM. o. 0. (London) o. J. Writers Forum (folded card)

WINTER POEM No 3. o. 0. (London) o. J. (folded card), signiert

Winter Poem No 7 - In Memoriam: François Dufrêne, Xmas Day 1982. o. 0. (London:) WRITERS FORUM 1982

Winter Poem No 8, Xmas Day 1983. o. 0. (London:) Writers Forum 1983, signiert

Winter Poem 8J. o. 0. (London:) Writers Forum 1984, March 1984, signiert, in Umschlag

Winter Poem No. 10. London: writers forum (dec.) 1985 (single folded A4 card)

Winter Poem No. 11. London: writers forum (Dec.) 1987 (single card)

WINTER POEM 17. single folded A4 card vispo. London: Writers Forum 1993

BOB COBBING'S COLLECTED POEMS:

= CYGNET RING. London: Tapocketa Press 1977, Volume One

= A B C / Wan Do Tree. Croydon: El Uel Uel U 1978, Volume Two

= A PEAL IN AIR. Toronto: AnonbeyondgrOnkontaktewild Presses /Phenomenon Press/ 1978, Volume Three

= THE KOLLEKTED KRIS KRINGLE. London: Anarcho Press 1979, Volume Four

= BOB COBBING'S GIRLIE POEMS. London: Good Elf Publications 1983, Volume Five

= SOCKLESS IN SANDALS. Cardiff: Second Aeon Publications 1985, Volume Six

= VOWELS AND CONSEQUENCES. Newcastle upon Tyne: Galloping Dog Press 1985, Volume Seven

= ASTOUND & RISIBLE. Oakland, Ca.: Inkblot Publications 1987, Volume Eight

= LAME, LIMPING, MANGLED, MARRED & MUTILATED. London: David Barton 1986, Volume Nine

= PROCESSUAL. London: New River Project 1987, Volume Ten

= ENTITLED: ENTITLED. London: Micro Brigade 1987, Volume Eleven [483]

= IMPROVISATION IS A DIRTY WORD. Hebden Bridge: Magenta Colden 1989, Volume Twelve (visual poems)

= VOICE PRINTS. Seaham: Amra Imprint 1993, Volume Thirteen (visual poems)

= Poems by R(obert)W(alter)C(obbing) for R(ead)W(rite)C(reate). RWC 30/31: Bob Cobbing. Sutton Surrey: Lawrence Upton (editor) June 1995, Volume Fourteen

= GIBBERING HIS WARES. Glasgow: Object Permanence December 1996, Volume Fifteen


b) Gemeinsame Publikationen

(Cobbing, Bob; Adler, Jeremy:) visual poems. With: Towards the city. Fragments I-VII by Jeremy Adler. London 1977

Cobbing, Bob; Andrews, Bruce: Both Both. London: writers forum (December 1987)

Cobbing, Bob; Bissett, Bill: FIVEWAYS /Umschlagtitel/. Toronto, London, Stockholm: writers forum o. J. (1978)

Cobbing, Bob; Casserley, Lawrence: Hydrangea. London: writers forum (October) 1985 (8 A4 cards, landscape, joined concertina-wise)

Cobbing, Bob; Chopin, Henri; Lloyd, Andrew: a sound event, film and verbivocovisual poetry, bob cobbing henri chopin andrew lloyd reardon smith lecture theatre, cardiff friday 8 may 1970 at 7.30 pm. PLAKAT. Cardiff 1970

Cobbing, Bob; Fencott, Clive: Fencott and Cobbing in New York /Umschlagtitel/. (London:) el uel uel u & writers forum o. J. (1982)

Cobbing, Bob; Fencott, Clive: COBBING & FENCOTT IN BALTIMORE: third March 1982 (Umschlagtitel). (London:) Writers Forum & EL UEL UEL U. o. J. (1982)

Cobbing, Bob; Fencott, Clive: FENCOTT AMD COBBING IN TORONTO: 13th-15th march /Umschlagtitel/. (London:) WRITERS FORUM & EL UEL UEL U. o. J. (1982)

Cobbing, Bob; Griffiths, Bill; Claire, Paula: Gin Chap. o. 0. (London): Writers Forum, December 1978 /Gefalteter Karton, DIN A4/

Cobbing, Bob; Jandl Ernst: soundpoems; introductionancestry and chronology bydom sylvesterhouedard, toaccompany writersforumrecord One. (London) 1965, 2. Auflage 1966 (writers forum poets 15)

Cobbing, Bob; MacBeth, George: Free Form Poetry. London 1970 (writers forum pamphlets 4)

Cobbing, Bob; MacBeth, George: Free Form Poetry Two. London 1971 (writers forum pamphlets 8)

Cobbing, Bob; Mayer, Peter: SOME MYTHS OF CONCRETE POETRY. o. 0. (London:) WRITERS FORUM, Sonderdruck aus STEREO HEADPHONES, Kersey near Ipswich 1972, No. 5, S. 28-29

Cobbing, Bob; Mayer, Peter: concerning concrete poetry (= Writers Forum Series Studies in Concrete Poetry, Vol. 3). London: writers forum 1978

Cobbing, Bob; Pike, Jennifer: Cylinder Head. London: Writers Forum 9th December 1997

Cobbing, Bob; Rowan, John: MASSACRE OF THE INNOCENTS poems by bob cobbing and john rowan. (London) Writers Forum 1963

cobton, lawrence; upbing, bob: FURST FRUTS uv1977. London: Writers Forum & Good Elf Publications, New Years Day 1977


c) Herausgeber

A Typographical Problem. London 1969 (writers forum pamphlet 3)

concrete poetry: gloup and woup. Gillingham, Kent: Arc Publications 1974 (Mit einleitenden Texten: Bob Cobbing, Kenneth Cox, Tom Edmonds (by Francis Newman), John Furnival, Dom Sylvester Houédard und mit einer Bibliographie) [484]

VERBIVISIVOCO. edited Bob Cobbing/Bill Griffiths 320pp B5 anthology. poetry/vispo London: Writers Forum 1992


d) Zeitschriftenbeiträge

An Approach to Notation, in: BOB COBBING & WRITERS FORUM. Edited by Peter Mayer/documentation by Bob Cobbing. Published by Ceolfrith Press. Ceolfrith 26, October 1974, S. 32-38

between poetry and music, in: ISIS, 16.2.1966, S. l0f.

(Bob Cobbing, Peter Mayer:) An Interview with Bob Cobbing, in: Peter Mayer (Hg.): BOB COBBING & WRITERS FORUM: Published by Ceolfrith Press. Ceolfrith 26 (October 1974), S. 55-60

(Bob Cobbing, Nicholas Zurbrugg:) Bob Cobbing interviewed by Nicholas Zurbrugg, in: Art & Design, No. 45: The Multimedia Text. London: Academy Group Ltd. 1995, S. 32-37

CENTREPIECE. 8 pages of sound and visual texts, in: P.S. Poetry Student, Warwickshire 1975, No. 1, February 1975, o. Pag.

The Elemental Dance, January 1974, in: STEREO HEADPHONES. Kersey near Ipswich 1974, No. 6, summer 1974, S. 13

15 Shakespear Kaku (visual poems), in: Christopher Hampton (ed.): Poems for Shakespeare, London 1972, S. 50-56

Four Versions of Songsignals, in: West Coast Poetry Review, Reno/Nevada 1974, Issue 12 ("extensions of the word"), Vol. 3, Number 4, Summer 1974, o. Pag.

Die Grenzen verwischen sich. Über experimentelle und konkrete englische Lyrik, in: Akzente. München 1969, 16. Jg., H. 6, S. 552-563

grin (concrete poem), in: Leonie Scott-Matthews (ed.): Pentatmeters Anthology. London: Magpie Press 1970 (Nov.), S. 24

(Ohne Titel: "Has poetry significantly advanced since Dada? (...)"), in: Stereo Headphones. Kersey near Ipswich. April 1980, o. Pag.

introduction, in: Bob Cobbing (ed.): Concrete poetry: gloup and woup, Gillingham, Kent: Arc Publications 1974

Ideen und Anmerkungen, in: Sprachen jenseits von Dichtung. Westfälischer Kunstverein Münster /Ausstellungskatalog/. Münster 1979, S. 179-182

Den konkreta dikten fran haiku till Happening (Concrete Poetry from Haiku to Happening), in: Fylkingen bulletin, Stockholm 1969, Nr. 1, S. 5-6

Konkrete Lautdichtung 1950-1970, in: akustische texte, konkrete poesie, visuelle texte. Ausstellungskatalog. Amsterdam: Stedelijk Museum, 1971, o. Pag.

Music For Dancing, in: STEREO HEADPHONES. Kersey near Ipswich 1971, Nr. 4, spring 1971, o. Pag.

Music for Dancing, in: Kroklok. London 1971, Nr. 2, S. 33

Notions and Notations (For Münster Exhibition Catalogue 1979: "Language beyond Poetry"). Manuskriptkopie Archiv Sohm (3 DIN-A-4-Seiten)

Notions and Notations (essay), in: LOBBY press newsletter. Cambridge 1979, No. 11, November, S. 4-6

(Ohne Titel: Sechs Gedichte), in: Poetry Review. London 1974, Vol. 65, No. 1, S. 3-8

(Ohne Titel: Sechs Gedichte), in: Poetry Review. London 1971/72, Vol. 61, No. 4, Winter 1971/72

Pictures at an Exhibition (poem), in: Peter Ludwig Brent (ed.): Young Commonwealth Poets '65. London: Heinemann 1965, S. 52-53

Poetry for a new age, in: Kroklok. A Journal of historical and contemporary sound poetry texts. Ed. by Dom Sylvester Houédard and Peter Mayer. London 1971, Nr. 2, S. 34

The Poetry Society's Gala Exhibition, London, in: The Journal of Typographic Research, Cleveland/Ohio 1969, July 1969, S. 301-305

PRINCIPLES OF MOVEMENT (drawings of movements), in: POETRY TORONTO Newsletter. Toronto 1978, No. 34 ("Eleventh International Festival of Sound Poetry, October 14-21, 1978"), o. Pag. [485]

Processual Notation ("Poems"), in: Open Letter. Toronto, Ont. 1985, Sixth series, No. 1, S. 30-38

The Shape and Size of Poetry (Aus: The wild game of sight. Unreal tiger series hrsg. von Will Parfitt, 1970), in: Text Buchstabe Bild. Ausstellungskatalog der Zürcher Kunstgesellschaft im Helmhaus Zürich. Zürich 1970, S. LI

The Shape and Size of Poetry, in: Kroklok. London 1971, Nr. 2, S. 33

Sound and Syntax. (Einführungstext zur Ausstellung “Sound and Syntax" während des “International Poetry Festival" im "Third Eye Centre"). Undatiert (nach 1968). /loses Blatt/Fotokopie Archiv Sohm/

The Sound of Poetry (on the new magazine 'Kroklok' and concrete sound-poetry), in: The Guardian. London, 18th February 1971

Triptych Five / Feathered. Triptych Six / Variations on a Theme, in: REAKTION 6. Alsbach 1981, Nr. 6, o. Pag.

'Whisper Piece' (concrete poem), in: Berjouhi Bowler (ed.): The word as image. London: Studio Vista 1970, S. 99

Ausschnitt aus "The Game of Sight" (1970) (&4 concrete poems), in: Art without Boundaries. 1950-70. Ed. by Gerald Woods, Philip Thompson, John Williams. London: Thames and Hudson 1972, S. 88-89

ZEN AND NOW (poem), in: Thomas Kadebo (Hg.): UCL Poetry 1969. Introduced by Margaret Richards. Poetry Workshop Seminar. London: University of London 1969, S. 23

mit Peter Mayer: Some Myths of Concrete Poetry, in: STEREO HEADPHONES. Kersey near Ipswich 1972, No. 5, winter 1972, S. 28-29

mit Peter Mayer: Antworten auf die Briefe von Henri Chopin und Stephen Bann, in: STEREO HEADPHONES. Kersey near Ipswich 1974, No. 6, summer 1974, S. 67-68

mit Peter Mayer: foreword, in: kontexts. Exeter o.J., no. 5, o. Pag.


e) Sekundärliteratur

Anonymus: EVENTREVIEW. AS EASY & SONGS OF FREEDOM: a recital of new sound poems by Bob Cobbing at St. Pancras Parish Church, Sunday May 3, 1970, in: Poetry Information. London (ca. 1971), No. 4, S. 7

Anonymus: On the Poetry (Kompilation verschiedener Zeitungs- und Zeitschriftenbeiträge über Bob Cobbing), in: BOB COBBING & WRITERS FORUM. Edited by Peter Mayer/documentation by Bob Cobbing. Published by Ceolfrith Press. Ceolfrith 26 (October 1974) has been published on the occasion of the Bob Cobbing and Writers Forum Retrospective Exhibition organised by Ceolfrith Arts/Sunderland Arts Centre abd held at the Centre from November 2nd - November 30th 1974, S. 52-53

Bob Cobbing Documentation (Biblio- und Discographie Bob Cobbing: Publications/Posters, Anthologies, Grammophone records edited by Bob Cobbing, Magazine Appearances, Films, Articles and Statements by Bob Cobbing, Some Articles about Bob Cobbing, Exhibitions, Tapes, Tape-Poems and Records of Bob Cobbing, 1963-1974), in: BOB COBBING & WRITERS FORUM. Published by Ceolfrith Press. Ceolfrith 26, October 1974, S. 74-82

Bowra, C(ecil). M(aurice).: Primitive song. London: Weidenfeld and Nicolson 1962, S. 58-61

Cotton, John: COBBING, Bob /Lexikonartikel mit einem Statement von Bob Cobbing/, in: Contemporary Poets. Ed. by James Vinson, London, New York 1975, 2. Auflage, S. 262-265

Fischer, Lili: Schamanen, in: Kunstforum International. Mainz 1978, Bd. 25, 1/78, S. 54-109

Forster, Leonard: James Joyce, Dadaismus, Surrealismus und danach, in: ders.: Dichten in fremden Sprachen. Vielsprachigkeit in der Literatur. München: Francke 1974, S. 110-142, insbesondere S. 129-130

Gardner, Raymond: Beyond the Word, in: The Guardian. London, 5th May 1970 [486]

Griffiths, Bill: Introduction, in: Bob Cobbing: Vowels & Consequences. Salisbury Gardens Newcastle upon Tyne: Galloping Dog Press 1985, o. P.

Hanson, Sten: Henri Chopin, the sound poet, in: Stereo Headphones. Brisbane, Queensland/Australia 1982, Nos. 8-9-10, S. 15f.

Hanson, Sten: BOB COBBING - the sound poet, in: BOB COBBING & WRITERS FORUM. Published by Ceolfrith Press. Ceolfrith 26 (October 1974), S. 43-45

Harwood, Lee: (ohne Titel) (über Bob Cobbing), in: BOB COBBING & WRITERS FORUM. Published by Ceolfrith Press. Ceolfrith 26 (October 1974), S. 7-13

Hiscott, Amber: Cobbing/Burwell/Toop (review of a performance at Swansea Arts Workshop), in: READINGS. London 1977, N0. 3, S. 2

Houédard, Dom Sylvester: Troubadour and Poet, in: Extra Verse. London 1966, Nr. 17, S. 3-5, 11

Lentz, Michael: sound texts? concrete poetry? visual texts? Bob Cobbing und der englische Sonderweg der ,Sound poetry`, in: NEUE MUSIK München/KLANG-AKTIONEN '97 /Programmheft/. München 1997, o. P.

Lentz, Michael: Galerie der Lautpoeten. sound texts? concrete poetry? visual texts? Die “Sound poetry" Bob Cobbings, in: Neue Zeitschrift für Musik. Mainz: Schott Verlag 1998, Nr. 5, "Musik Sprechen", S. 29-31

Manson, Peter: Mitochondrial Wonderbra. The last word is BENDY, in: Bob Cobbing: Gibbering His Wares. Collected Poems Volume Fifteenth. Glasgow: Object Permanence December 1996, o. P. (= Vorwort)

Mayer, Peter: An Interview with Bob Cobbing, in: BOB COBBING & WRITERS FORUM. Published by Ceolfrith Press. Ceolfrith 26 (October 1974), S. 55-60

Minschip, Xavier: REVIEW (of a sound poetry performance at Ealing Technical College), in: Poetry Information. London 1972, No. 6, November 1972, S. 10

Mon, Franz: Literatur im Schallraum, in: ders.: Essays. Gesammelte Texte 1. Berlin: Gerhard Wolf Janus press 1994, S. 246-247

Mottram, Eric: a prosthetics of poetry, the art of bob cobbing, in: second aeon. Cardiff 1973, No. 16/7, S. 104-133

mottram, eric: a prosthetics of poetry; the art of bob cobbing (reprinted from Second Aeon Magazine Nos. 16/17, Cardiff, February 1973). o. 0. (London: Writers Forum) o. J. (ca. 1974) /Mit Angabe der Errata zur Erstveröffentlichung/

Mottram, Eric: WRITERS FORUM: A Successful Campaign, in: BOB COBBING & WRITERS FORUM. Published by Ceolfrith Press. Ceolfrith 26 (October 1974), S. 15-24

Mottram, Eric: COMPOSITION AND PERFORMANCE IN THE WORK OF BOB COBBING, a conversation, in: KONTEXTSOUND, a compilation of sound-poetry (...). Ed. by Michael Gibbs. Amsterdam 1977, S. 15-19

Naughton, Edmund: Sound Poetry As a Life's Work, in: International Herald Tribune, Friday 20, 1973, S. 14

Oakes, Philip: A profitable line, in: Sunday Times. London, July 12, 1970, S. 26

Prawer, Siegbert S.: Some Recent Language Games, in: S. S. Prawer, R. Hinton Thomas, L. Forster (Hg.): Essays in German Language, Culture and Society. London 1969, 73

RHH: the collected kris kringle (zu: "the kollekted kris kringle, volume 4", anarcho press stan trevor, london), in: LOBBY press newsletter. Cambridge 1979, Nr. 11, november, S. 12

Robinson, Kit: Bob Cobbing's Blade /zu: Cygnet Ring. London 1977/, in: POETICS JOURNAL. Berkeley 1982, Nr. 1, S. 74-80

Upton, Lawrence: Review: PATTERN OF PERFORMANCE by Bob Cobbing (London: Writers Forum 12/79) /Leserzu-schrift von Keith Musgrave in L.p. newsletter, Nr. 15, S. 20/, in: LOBBY press Newsletter, Cambridge 1980, Nr. 14, May 1980, S. 2-6

Young, Alan: DADA AND AFTER, extremist modernism and english literature. Manchester: Manchester University Press 1983, 2. Auflage, S. 205, 208


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